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Life Given to Quiet Places

by Oen Sujet

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1.
life given to quiet places public places give private meaning to facilitate one’s involvement in word and number with great momentum without guessing in game in great momentum recognition of becoming promulgating delenda ... this public posting showing the number of moments a conviction was grazed by its own authority light hitch to bring back ... this happens all of the time haecceity wondering, plain appreciation in the meantime, delenda ... prompting out again what flourishes so very straight-faced clued-up fanciful institution on the greenway, in every scene upland on the wheels, stopping in field queue. midway. wanting audible aid (but) it’s not its place to say between one and nothing must be something like the greatest alternative to boredom life given to quiet places we must go clean outside age even in the midst of all that surrounds us life given to quiet places with what one thinks worth watching such know-how beckons us to make the most of it in keeping with an onset, decide and remain immoveable, repose in simple time that’s taken to consider. acknowledge. the lot and the gain. yielding to the value of suitable intentions one blue-blooded, delenda ... beeline, ready-made onus, everyone is waiting in well-being create right through the block and folding and do this with the knowledge that it is okay to make a very big deal out of nothing at all cue the dab hand, delenda ... re-directing the self all setting out, feeling like grade school roll-call fanciful institution on the greenway in every scene upland on the wheels, stopping in field queue, midway. wanting audible aid. (but) it’s not its place to say “between one and nothing is content (that) every single one of us can make” control. derring-do with a stamp on “sent right under my own name” golden mean became the center of attention at ease in place, odds-on impression that’s made rightful terrain entailing on it’s behalf the build. a brain. a population that saves itself. living. day-to-day watching it become in, and out, and everywhere a congruent theme we are all accountable singled out, could carry weight and volume. headstrong candid. widespread. top flight in function i’m in fanciful institution on the greenway, in every scene upland on the wheels, stopping in field queue. midway. wanting audible aid. (but) it’s not its place to say between one and nothing must be something like the greatest alternative to boredom life given to quiet places we must go clean outside age even in the midst of all that surrounds us life given to quiet places with what one thinks worth watching such know-how beckons us to make the most of it (and) to be the moment that’s all around
2.
Simpleton 05:16
simpleton the corrective nature for the best it’s mode can often be nice home-ruling acts as guest to what was sent here tutelage every which way just to keep one in place simpleton condone me and simpleton, what will you do now? waiting in the cameo role it does them no good something that leaves one untouched maintenance is what they have simpleton condone me and simpleton, what will you do now? the corrective nature for the best it’s mode can often ... taken to preservation so hackneyed it stutter-steps calling to wet dog authority sometimes, somehow for the best simpleton condone me and simpleton, do what you will now!
3.
we colored you we colored you the same color left no distinction and then we tried again foul play it’s happening now it’s okay we have a relation pull back and going outside to wave into the window and how it came to a look of freedom in one. pulled out. to the next undertaking eclat, dividing a moment one half, the tough and the tame the other, with picture in hand to show off what’s already made at once ahead, common defeat kicks the ball, driving. embolden man in tandem, we run. long leg fall back thinking victory, it does one good field-day exaltation blue ribbon and try again entry-level trusted leeway gives itself a name between hights and hoorays and with a look that says, “we did well today” as we go back home ... home-made will in parental skill showing us the hue of edification that outlives the coming of age in guesswork and knowing the same to giving a quiet control the tracing, a lifetime ahead amending turn accidental stray falling on the outside of two open-ended duo, created a pace was painted in no time at all resilience, dripping in the hall now hanging in a bathroom light a little lad running success with one hand held out, coming right through in color volume, stentorian taking victory, it does one good field day exaltation blue ribbon and try again entry-level trusted leeway gives itself a name between heights and hoorays and with a look that says, “we did well today” as we go ... together, in quiet, with love
4.
bird and binocular keep tabs on what can make it’s home with paper directly above in tree where you kneel under and give a look up to see what is seen through an ever-ready (that) goes in-between and waves at you for attention right then and right there sanctity in the lens we see flight control, headway in daily life picks the spring to come out one can be with them then and see all that’s necessary entelechial wildlife bird and binocular learning to live without the reminder each day entelechy uniform bird and binocular learning to live within what’s expected of us quid pro quo says to you “please, get up off the ground now” was time spent so well so well that face was cut all around in the undergrowth leave the beginning that always begins again and again reiterating high and low “history perches nonpareil (when) doing oneself the favor of de-domestication” newcomer “animal kingdom ahead” picks the spring to come out one can be with them then and see all that’s necessary entelechial wildlife bird and binocular learning to live without the reminder each day entelechy uniform bird and binocular learning to live within what’s expected of us
5.
colby and the devils colby and the devils they played a part sounds absurd because that’s just what it was pounding into place a manner which stands head down waiting for reactions twenty different directions all the same and plenty of what others could do without but degradation has reason to be blamed for candour can make one quite humble brouhaha throughout a long shelf life the essential in-joke a long shelf life folly around they really mean well affronting a conscience that’s so commonplace commonplace no animal aims they can’t see what the devils want to give them a wellington up the forearm and dribble on the books they read children how they just love the picture page comes to life in front of everyone around “jesting routine, comedy foundation jesting routine, comedy foundation” a reception held in an open space loyalty it says, “make the most of it” never seen someone flip the bill like that detachment goes such a long way brouhaha throughout a long shelf life the essential in-joke a long shelf life bevy the great nabbing what it thinks closes to consideration of the self program notes give explanations obliging one to think about what’s written a spectacle that puts color in group skin unlike the single castaway who makes the effort all along the way and says that we can do better than that “jesting routine, comedy foundation jesting routine, comedy foundation” colby and the devils they played a part sounds absurd because that’s just what it was pounding into place a manner which stands head down waiting for reactions ... *inspired by and loosely based on the lars von trier film The Idiots

about

Oen Sujet | Life Given to Quiet Places

credits

released September 1, 2009

John Winston Phillips | composer and lyricist
Julie-Blanche Vandenbroucque | voice

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about

Oen Sujet Montreal, Québec

John Winston Phillips: music, words
Hammerbell: voice, words
Past Members:
Julie-Blanche Vandenbroucque (Life Given To Quiet Places, Grinklier, Circled.Centered),
Yumiko Kanao
Ananda X. Suddath
Gabriel Evangelista
Blake Markle
Philippe Lachance
Myriam Boucher
Joëlle St-Pierre
Leticia Lacroix
Domi Tani
Benjamin Proulx-Mathers
Sylvain Delisle
Geneviève Beaulieu
Anicko Bouchard
... more

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